Saturday, March 08, 2008

Ob-la-di Ob-la-da life goes on bra

Best Quote I Heard All Day
When you're drowning, you don't say "I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me," you just scream.--John Lennon

Drowning in work and yet I seem to be able to find the time to do my shit. How is that?

I guess it's all "time management." Feh. I hate that corporate jargon crap, though. If anyone at work ever uses "impact" as a verb again, I'm gonna fucking strangle them. And "utilize" is better than "use"? Bite me.

Knitting Buckets
That's another stupid corporate term, as in "let's put that task in the Operations bucket." Shut the fuck up. Shove THIS up your bucket.

Anyway, I've actually accomplished some knitting and some spinning. Here's the lineup:

These are the Kureyon socks. Believe it or not, I didn't even try to match the color changes. Somehow, it just happened. I will say that although I like the colors, the socks are felting already, as one of my readers noted in earlier Comments. I don't really give a rat's ass about that, since most socks felt to a degree anyway after repeated wearing. I might use it again. Maybe.

Remember the Las Vegas Brights silk? Here it is, getting plyed. As you can see, I spun it quite fine and gave it plenty of twist, as silk needs. The colors won't be evident until I skein it but I suppose it will make a nice lace scarf.

Loopy and I both have a pile of yarn that we've spun and never used. Loop sez: "Oh hell, I have stuff that I spun years (and I mean *years*) ago that I've never yet done anything with. The worst part is that they were spun for specific projects and I still haven't found the motivation
to start them."

Remember Starry Night? I have a shitload of that and never decided upon a suitable project. And then, there certainly is the motivation factor to be considered.


Finally, I've been diddling around with IK's freebie, the Icelandic Lace Shawl, done in some of the piles of Morehouse laceweight I own. The original is done in natural shades. I thought the design would do well for this kind of "hand-dyed" yarn.

What a peculiar little pattern it is, though. In the band of reverse stockinette, which is right above the feather-and-fan-ish bottom pattern, there are no central decreases, despite the fact that the stitch patterns before and after do have decs in the center. WTF? This causes a bubble on that band, one that can be blocked out.

I understand that putting decreases in this reverse st st band would somewhat upset the visual line. But still. I think I would have opted to put the decreases in.

The Fiber Nest
I had forgotten that I took this picture back in early January, right after we moved all my furniture up. The boxes are gone from the kitchen, the curio cabinet is filled, and the bookcases are jammed with all of my books. (Please, someone stop me from buying books.)

My loom is crammed into my bedroom, my winding station is next to my bedroom closet, and my swift is in the living room closet. But hey, it works for me. The stash is located in two other closets. This place does have good closet space, as small as it is.

And of course, I do have run of the next-door neighbor's place. With me, it's yarn, books, two wheels, and a loom. With him, it's cables, receivers, speakers, woofers, tweeters, mixing boards, tools up the wazoo, and a CD/DVD collection that begs description. Yikes.

He's the nerd, I'm the geek, as he says. True. However, both of us are packrats. Because you never know when you might need some stuff.

Rock Sox
Thank God for the Punk Princess. She has been very helpful in suggesting New Millenium artists and songs. She approved of my choices. And I love her for saying that the book idea is "kewl!" Liz suggested that I fit Bob Marley in, with "No Woman No Cry" as her choice, in Rasta colors. Of course, she wanted to know if she could have all the socks after they are photographed and the book is done. Well, maybe. I think I'll go with the Bob Marley concept, though. But that would go into the '70s section.

I liked the idea of using the Dixie Chicks instead of Green Day, Good Charlotte, or Blink 182. When I get to that point, I'll decide. I love the Dixie Chicks--perhaps I'll use "The Long Way Around" as a song. It's one of my favorites and certainly hits home with me. I always take the long way around, dontcha know?

The Chantilly Lace prototype is on the needles, after much swatching and fucking around. Those of you who design know this truism: If ya think it's gonna fly by what you see in your head, fuggedaboudit when it's on the needles.

Ruminations
Lately, I've been feeling that the knitting craze is coming to a screeching halt. I don't know why I have that sense of the end, but I do. After all, the real estate market has had el crasho grande. What goes up, must come down. We'll still see a plethora of knitting books for the next year or so, due to the length of time it takes to get a book out.

Nonetheless, I think the weekend knitting warriors have been weeded out and are on to another hobby, perhaps beermaking or macrame. Or golf.

That's not to say that the KnitDweebs are gone. They're alive and well on the lists and on Ravelry too. Ravelry being the perfect place for them to run amok. No matter. I do the la-la-la thing if I come across them. Loop found a real gem who is infesting the Heirloom Knitting list and the SnitU list. I won't out this woman here. The only hint I can give you is this: Let it snow. If you read these lists, you'll know who I mean.

Well, gang, it's off to Montclair for lunch with Mammy, brother Rich, and the ubiquitous Queen of Chaos, Scrappy aka Sissyboo aka Karen. Rich turned 54 yesterday. Happy birthday, bro. You are the rarest and handiest brother anyone could have. Just be glad I don't kick your ass anymore.

KTHXBYE.

Labels: , , ,

Tuesday, February 26, 2008

If U Cn Rd Ths, U Cn b an Edtr n Wrtr

Best Quote I Heard All Day

Editing should be, especially in the case of old writers, a counseling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, ''How can I help this writer to say it better in his own style?'' and avoid ''How can I show him how I would write it, if it were my piece?'—James Thurber

De Emendator non est Disputandum

At various times in my life, from a number of people, I’ve heard:

“You were born to be an editor.”

“You’re a born writer.”

It is true, since I am certainly ill-suited to be your server for this evening. I know how to write. It’s in my blood. And I know how to edit without trying to be the writer’s voice. Thurber’s quote really hits home, this week especially, since my irritation about being summarily edited without the courtesy of seeing the edits has been festering like a suppurating sore.

It’s often said, to paraphrase the well-known quote about teachers, “Those who can’t write, edit.” There is some truth to this, although as an editor for small specialty magazines, I had to wear many hats: editor, writer, art director, layout artist, marketing manager, even accountant (well, I had to deal with budgets). But first and foremost, I have always been a writer. That came first, at age eight, when I learned to knit and learned that I could take words that rhymed and make little poems that expressed my young thoughts and feelings.

Being a good editor means that you do not silence the writer’s voice, ever. It means that you form a partnership with the writer. It’s the difference between helping a writer to tune their voice so that it rings true to them, not to you, so that they communicate with clarity without sacrificing their tone. Nurture. Suggest. Pure and simple. It’s not just the grammar and the spelling. It’s respecting the writer’s essence. Sometimes grammar has to be tossed out the window in favor of soul.

I will not allow my voice to be muffled again. By any amateur editor. And any analogies to music are strictly intentional. Tone, voice, meter—as I was once also a musician, I can only apply musicality to my opera. OK, no more bad Latin.

LOLCAT IZ TEH LANGUAGE OV TEH FUCHUR

I may write my next article in LOLCAT—like Carol, I’m a big fan.

I LUV TEH ABSURD AN KATS R ABSURD. MI KAT CLEO DOEZ NOT SPEEK LOLCAT. SHEZ MOAR BLANCHE DUBOIS. "I HAS ALWAYS DEPENDD ON TEH KINDNES OV STRANGERS."

It’s so much more elegant a populist language than, say, Pig Latin, or for those of my age from the NY Metro area, Me-a-surry, created by the late, great Murray the K.

GEEK WARNING: If you don’t do computers, skip this bit.

Along with being a writer, I’m a frustrated junior programmer, who can edit but not write pure code. Those of you who are geeks will know what I mean when I say that well-written code can be a beautiful thing. LOLCAT has metamorphosed into a programming language. One that enthralls me far more than Java, Perl, C#, .NET, or even SQL. Here’s a wonderful example, GIMMEH, found on the LOLCODE site:

HAI
CAN HAS STDIO?
I HAS A VAR
GIMMEH VAR
VISIBLE "You said " N VAR N " !!"
KTHXBYE

You gotta love the start block delimiter, HAI, and the closer, KTHXBYE. And yes, people are using LOLCODE on legit platforms.

So Yeah, This is a Knitting Blog, More or Less

And so much more, no? Yes, I’ve been knitting, socks and a shawl. In fact, after playing footsie with writing a book for the past three years, I finally realized that my original book idea was indeed the most viable. No, it’s not the book I began writing two years ago and dropped because I didn’t want to produce yet another “My Speshul Knitting Encyclopedia According to Me” kind of tome. This time, it’s happening. And I will publish it myself because I’m not going to have no steenkin’ publisher fuck it up.

The book that has been in my head for almost four years now is pretty much roughed out. Are ya ready?

Rock Sox.

That’s right, socks inspired by rock ‘n’ roll. Not just the designs, but background on the songs and the artists, too, along with my twisted prose. I’ve begun the first design already, Chantilly Lace, and the prototype is looking pretty good. Because I’ll own the material, I’ll print pictures as I go along, and I would expect my Tontant Weaders to give their unadulterated opinions. That's presuming that you skanks have learned something from reading me.

It seemed to me that I have managed to knit quite a few pairs of socks recently. If that’s what I can manage, why not turn it into a fun book to design and write. Here are my raw notes:

50s

· Chantilly Lace (Big Bopper)—lace pattern—black lace with pink eyelet ruffle

· Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini (Brian Hylan)—Fair Isle dots on yellow

· Jailhouse Rock (Elvis)—mosaic stripes?

60s

· Eleanor Rigby (Beatles)—mauve plain sock with a lace cuff?

· Get Off of My Cloud (Stones)

· Purple Haze (Hendrix)—Kidsilk Haze with fine cotton binder?

70s

· Tangled Up in Blue (Dylan)

· Pinball Wizard (The Who)—Large silver beads annoyingly placed

· Stairway to Heaven (Led Zep)

80s

· Born in the USA (Springsteen)—something with red/white/blue, tri-colored cables?

· Cheap Sunglasses (ZZ Top)—intarsia sunglasses

· Burning Down the House (Talking Heads) flame pattern?

90s

· Tears In Heaven (Eric Clapton)

· Heart-shaped Box (Nirvana)

· Wilbury Twist (The Traveling Wilburys)—rocking cable?

The New Millenium

· Good Charlotte

· Green Day

· Blink 182

As you can see, this is not yet fully formed. It's mostly plug and play, if you get my drift. I’ll be checking with Liz as to what songs will be apropos from the New Millenium artists. I fully admit, I know little about these bands. And I’ll listen to her advice.

OK, gang, this has been more than I’ve written in a long time. Thanks for missing me. I missed you, too. The rare and handy hiatus is over. I'm back. Back in the New York groove. Or whatever.

KTHXBYE

Labels: , ,